A tour-de-force of original Christmas music! Holiday Pop delivers the goods with rocking pop songs for the holidays. Includes the James Brown-style hit “Santa Don’t Take No Mess,” the U2-ish “Gimme Some Christmas,” and the old-school soul of “Come On Home for Christmas.”
Tags: albums, Christmas music, Nicholas Markos, Recordings
Terrific pop songwriting sets this record apart from other indie pop music–the hooks are deep and giant. Grooves like “Cool Water” and “Computerman” combine rock with modern beats and production.
Tags: albums, Nicholas Markos, Recordings, The Usual Tactics
The second studio recording from Nicholas Markos, Piñata Mondatta is wild melange of pop songs–catchy hooks in seemingly diverse styles, but all full of pop sensibility.
Tags: albums, Nicholas Markos, Pinata Mondatta, Recordings
Whatever, the first full-length studio album from Nicholas Markos, is an eclectic mix of pop-rock songs in the vein of Paul Weller, or the Beatles’ Revolver. Contains the popular tracks “I Get the Feeling,” “Building Up,” and “4th of July.”
Tags: albums, Nicholas Markos, Recordings, Whatever
Jordan, a transcontinental duo, creates popular music that is, prima facie, multicultural. Spanish national Marcos Sueiro, from a small town in the hills outside Barcelona, met American Nicholas Markos as each of them worked on album projects in Chicago.
Jordan’s debut album. Epiphany, was meticulously constructed over the course of three years on a vintage 4-track cassette machine, due to budgetary and technological constraints. You’d never suspect the low-tech approach, though, after hearing the epic soundscapes and thunderous tones of this album. Sounds that you think are keyboards are actually guitars, and vice versa. “Marcos is a wizard; it’s simply unreal what he can do with a 1984 Ensoniq keyboard and a 4-track cassette machine,” marvels Nicholas. “He can make so much magic out of those old devices. You would never guess that this record was made the way it was. Marcos knows how to get the machines to bend to his will.”
Comparisons are frequently made to The Blue Nile, Ultravox, and other evocative, innovative groups. All of these are valid and flattering, though Jordan also draws on the compositional inspiration of The Who’s Quadrophenia and Mozart’s Marriage of Figaro.
It is masterful, epic synth-pop, but not retro. This is definitely not shtick–it is heartfelt, forward-thinking music, with sophisticated composition. Melodies appear and reappear, weaving through different songs to create a unified whole. Instrumental pieces provide context and transition for a distinctly coherent album.
You can check out a great review of the Epiphany record on Leonard’s Lair, a wonderful UK music-review site. And buy the music here: